Sunday, 2 May 2010
Meida evaluation by Louis Percival
Friday, 30 April 2010
Friday, 23 April 2010
Final Piece
This is our final product and we are very happy with it as a group but we are a little disappointed with the quality of the film when we got the film of YouTube. We believe this makes our film look amateur which is the main thing we did not want to happen.
By Michael Keenan and Max Blanche
Friday, 26 March 2010
Decision making
Joel Duxbury
Thursday, 25 March 2010
Still Writing Typography
after blood sweat and tears, we have come to the conclusion to use the typeface 'Courier New Bold' and the size to the font, is quite a medium sized font, as we thought that this matches the style of our film.
All the still writing on the film is placed over a black background and writing in white writing in the mentioned typeface. On the title screen, the title stays on the screen for 5 seconds. and enters and disappears from the screen using a fade out effect.
we thought we would you this effect as we thought it matches the curious and mysterious nature of our supernatural film.
On the other still writing shots, the single piece of writing on average will stay on the screen for around 3 seconds, and will also follow the same routine as the title, to try and keep the suspensory atmosphere.
Louis Percival
Copyright free music
By Joel Duxbury
Tuesday, 23 March 2010
Filming and editing update.
so overall as a group we are very happy with our film.
Louis Percival
Filming and Editing update
By Max Blanche
Filming update
Michael Keenan
Thursday, 18 March 2010
Problems and solutions
By Joel Duxbury
Monday, 15 March 2010
What we still need to do
By Joel, Max, Louis and Mike
What we have done so far part two
By Max Blanche, Michael Keenan, Louis Percival and Joel Duxbury
Tuesday, 9 March 2010
Questionnaire Results Anaylsis
By Joel Duxbury
Thursday, 4 March 2010
Target Audience
The specified target audience, is 15 and above, or should i say that is the age limit for the film, so the film applies to ages from really 15-25 really, but this is only a rough estimation and im sure that the film will be watched by all ages and sex. The target audience is this age group because the film's genre of action/horror ususally applies to this age group. Seen as our film doesn't involve any seens of gore, or extreme violence, there is no real need for this film to apply to an older age group. our film is concentrating on the paranormal side of horror, with unknown species, existing in a house, or as thought by, by a group of teenage boys.
socio-economic status is of no real matter in this film, aswell. because it is not really a complicated film so there is no real need or use of education, to enjoy and understand the film. so there is no advisable socio-economic status. the same also applies with race. there is no existing, barriers or caution for any races. The ideal gender for this film, is male. due to the fact that after looking into it, males prodominatly prefer horror/action films to women. so ideally the target sex, would be males, but like ive said, im sure it will be watched by both males and females.
By Louis Percival
Roles in our film
The editing that will be done in our film will be done by all of the group members using the program imovie. The editing will be done in our class time whilst our filming will be done outside of the class time.
By Michael Keenan, Louis Percival, Max Blanche and Joel Duxbury
Thursday, 25 February 2010
Progress So Far
By Max Blanche
Location Shots
Monday, 22 February 2010
opening sequence to 28 weeks later
I have chosen the film 28 weeks later due to the fact that i think it posses all of the qualities to make a fantastic opening sequence for a action/horror genre. It makes you want to grab hold of and hide behind a pillow with fright, but also at the same time leaves you hanging on the edge of your seat, killing you to find out what is going to happen next! so if the film does this to you in the first 3 minutes in this case. I'm sure it will make you want to carry on and watch the rest of the film. The film is of no real relevance and comparison to the film we as a group are intending to make other than there are unknown creatures pursuing them, and that is what are intending to base our film opening about. the best thing about this opening sequence is how it leaves you hanging on a complete cliff hanger. with is also a must in our film opening.
The lighting used in this opening sequence is generally quite dark, gloomy, and low key which therefore backs up its horror genre. This also shows that the mood of the film is depressing and sad for the time being. for example right at the beginning of the sequence, and in fact all of the way through the sequence, there is no signs of electricity, but signs of electrical equipment, which means that it is following on from the previous film almost immediate, because that happened in the first film. there is also signs of side lighting of one the young men's face, which could show signs that's he is hiding something, or that he is evil, or is going to play a big part in the film.
also towards the end of the sequence when it shows outside. and it shows how bright the light is, this could mean more than one thing, it could mean that due to it being such a pure white light, that outside is where the secret lies, and where the solution to the problem lies. or it could be deceiving the people and leading them outside for the wrong reason, and due to it being a horror movie, it could be either of these two. also the sound throughout the whole clip is none existent. there is a constant scary silence, you can just hear the clinging of all the cuttulery and dishes. this also fulfils the needs of the horror genre.
There is a specific shot from the passage that i particularly like. it is when there is like a downwards shot from the top of the stairs looking down on the people, its like they are being watched and this makes the film look even more horrorified.
so overall i feel that this is a good opening sequence to a horror movie. because it has all the key elements, and it has been useful to us in the making of our film opening.
Louis Percival
Saturday, 13 February 2010
Script for film
Mike: Come on lets go!
All: Quick quick!
Mike: Get over come on!
Louis: Go come on quick!
All: Come On!
Louis: Oh yeah!
Louis: Lets throw this bag in here.
Mike: Oh
Louis: Wow, Oh man
Mike: This doesnt look too nice does it?
Louis: Not at all
Mike: Jesus! Did Anyone see that then?
Joel: What?
Mike: Look top window!
Mike to Joel: Have a go with this Camera.
Louis: Is it open?
Door Creaks then Slams shut
Mike: We have some light, Lets see whats down here.
Louis: I'm not going down there!
Mike: Go on dont be a girl!
Joel Gets taken
Both Mike and Louis: Where's Joel?
Mike: Come on lets go!
Louis: Were going to have to go back!
Mike: Come on then lets go!
By Max Blanche and Michael Keenan
Thursday, 11 February 2010
Overall story line
obviously there are other bits to the film. but that is the main part to the film.
Louis Percival
Costumes
Louis Percival
Extra's and Props
The location that we did all the filming in was no problem because it is the home of one of the members of our group. so the location and everything that comes with it good for us.
we didn't need the use of any extra's either in our film, due to the fact that our film doesn't consist of extra's in it. so we didn't have to worry about finding another actor in our film.
Louis Percival
What We Are Doing As A Group
By Michael Keenan
Filming Scheduels
Equipment/Props
Costumes
By Michael Keenan and Max Blanche
Tuesday, 9 February 2010
Synopsis of the film sequence
By Michael Keenan
Thursday, 4 February 2010
Questionnaire
Questionnaire
How old are you?
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What gender are you?
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What is your favorite genre of film?
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What do you look for in a opening sequence?
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Do you prefer American Films or British Films?
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How many times a year do you go to the cinema?
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Do you like being scared?
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Do you like films that don’t follow the classical narrative system? And why if so?
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Which is your favorite film and why?
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By Max and Louis
Monday, 1 February 2010
Opening sequence-Halloween 2
By Joel Duxbury
Opening Sequences
The lighting which is used a lot in this opening sequence is mainly low key lighting which sets the mood of the film and also the sounds that are used in the opening sequence is perfect for the type of film it is as we always associate films of this genre to have a sound as it does as it is a very slow tempo and low volume but gets louder when something is about to happen which, along with the lighting, sets the mood of the film and builds up the tension of the film ready to frighten the audience. The setting that is used is in a modern house with it all white but with the low key lighting that is used it makes the rooms seem very dull and has the house all one colour.
The main character in the opening sequence is a girl and this is because girls are deemed as vulnerable to others and are supposedly more scared according to ideology, also in this opening sequence when they aren’t playing anything in the background there is the heavy breathing of the girl and the noise of the television this causes suspense for the viewers as it a thrilling sound which makes the viewers tense up as they are waiting for something to happen. Another sound which happens at the end of the opening sequence where it zooms in on the girls face and her face changes and then suddenly just zooms into the television screen where the screen is all fuzzy and has that sound which sends a shiver down the viewers spine this causes a thrill and a great cliff hanger ending leaving a lot of questions to be answered to the viewers.
The thing i like most about this opening sequence is how it leads you into suspense and also wondering what is going to happen during the film and why the television was fuzzy downstairs and also upstairs and why her face changed, also the viewers want to watch it to see where a bout’s the girl is that she is shouting. All these are unanswered questions which the viewers want to know which is why its such a good opening sequence as it is near enough making them watch the rest of the film as they want to know what is going to happen and how it ends.
By Michael Keenan
Opening Sequences
http://www.youtube.com/watch?v=Vr57GJgGxjQ
In this clip it shows a Nurse coming home from work, when she gets home everything is normal. But in the morning her daughter comes in covered in blood, this would confuse the audience because no one knows why she is covered in blood this would also keep the audience wanting to find out more. But you soon come to the conclusion she must have been bitten by a zombie. She then bites her dad who also turns into a zombie, blood and special effects make this scene very gory to scare the audience. Because so many people are ringing the police the lines are jammed this adds to the suspense for the audience. Then she gets out the house and there is a state of panic because people are running around and being chased by zombie's this would add tension and creates suspense because you don’t know who survives and who dies. The Main Character then gets into her car because her husband tries to kill her would add to the fear in the audience. She is then driving through a Town when a car crashes and explodes this is good use of special effects. She then tries to get her car stolen of her but she drives of but crashes whilst doing this. It shows her crash and then that it is for the opening. I personally feel it is a really good opening sequence because it contains lots of action and makes you want to carry on watching even though it is scary.
The lighting in this scene is very natural but in some scenes like when the daughter is in the hallway it uses low key lighting. There is some music when the Main character leaves the hospital to add tension because the audience thinks there maybe a zombie in the back of a ambulance but it is not and the music is just there to scare you. When the main Character turns her radio on the song have a nice day comes on which is using black humor because she gets attacked by zombies. There is also a element of irony when she says "see you tomorrow" to the girl because she doesn't. There is also music when the girl comes in the room and the door opens this adds tension and fear in the audience. When she steps through the door there is a loud noise to scare the audience and the loud music carries on until she is thrown out the room. When her husband comes to attack her the music is really fast to add to the tension. To create drama at one point the music goes silent and then the man comes through the door. This is really good at scaring you. I personally feel that the opening sequence is very typical of a horror film because it keeps you wanting more and is very scary. Overall i think that it is a really good opening scene and makes you want to carry on watching which is the main thing that a Opening sequence can do.
By Max Blanche
Thursday, 28 January 2010
When a sinister figure offers them success in exchange for murder, a group of old school friends struggle with paranoia and distrust as they turn on each other to complete the arrangement.
Production Company:
Rock Solid Entertainment
Format: 16mm digitally mastered
Year of production: 2005
Running time: 97 mins
Director: Nicolas Forzy
Producer: Nicolas Forzy
Executive/Co-Producers: Thomas Benski, Axel Beranger
Editor: Pete Mitchell
Screenwriter: Nicolas Forzy
Director of Photography: Daniel G. Cabrero
Sound: Marc Reveyron
Music: Roby Meola
Principal cast: Matthew Rutherford, Luke Robert, Alex Childs, David Rosenbauer, Marem Hernandez, John Robson, Martin T. Sherman
Blair Witch Project
The Blair Witch Project is an American horror film released in 1999. The narrative is presented as a documentary pieced together from amateur footage, filmed in real time. The film was produced by the Haxan Films production company. The film relates the story of three young student filmmakers (Heather Donahue, Joshua Leonard, and Michael C. Williams) who hike into the Black Hills of Burkittsville, Maryland to film a documentary about a local legend known as the Blair Witch, and subsequently go missing. The viewer is told that the three were never found, although their video and sound equipment (along with most of the footage they shot) was discovered a year later. This "recovered footage" is presented as the film the viewer is watching.
Directed by Daniel Myrick
Eduardo Sánchez
Produced by Robin Cowie
Gregg Hale
Written by Daniel Myrick
Eduardo Sánchez
Starring Heather Donahue
Joshua Leonard
Michael C. Williams
Music by Antonio Cora
Cinematography Neal Fredericks
Editing by Daniel Myrick
Eduardo Sánchez
Studio Haxan Films
Distributed by Artisan Entertainment
Release date(s) United States
January 25, 1999
(Sundance Film Festival)
July 16, 1999
(Limited)
July 30, 1999
(Wide)
United Kingdom
October 8, 1999
(Raindance Film Festival)
October 22, 1999
(Wide)
Australia & New Zealand
December 9, 1999
Running time 86 min.
Country United States
Language English
Budget $500,000-$750,000
Gross revenue $248,639,099
Followed by Book of Shadows: Blair Witch 2
http://www.youtube.com/watch?v=D51QgOHrCj0&feature=related
Halloween
Halloween is a 1978 American independent slasher film set in the fictional suburban midwestern town of Haddonfield, Illinois, on Halloween. The original draft of the screenplay was titled The Babysitter Murders. John Carpenter directed the film, which stars Donald Pleasence as Dr. Sam Loomis, Jamie Lee Curtis as Laurie Strode, and Nick Castle, Tony Moran and Tommy Lee Wallace sharing the role of Michael Myers (listed in the credits as "The Shape"). The central theme of the film is Myers' escape from a psychiatric hospital and his subsequent murder of a number of teenagers, whilst Dr. Loomis' attempts to track and stop him. Halloween is widely regarded as a classic among horror films, and as one of the most influential horror films of its era. In 2006 it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Halloween was produced on a budget of $320,000 and grossed $60 million at the box office in the United States, equivalent to over $150 million as of 2008, becoming one of the most profitable independent films. Many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960). The movie originated many clichés found in low-budget horror films of the 1980s and 1990s. However, the film contains little graphic violence and gore.
28 Weeks Later.
28 Days Later is a 2002 British post-apocalyptic horror/science fiction film directed by Danny Boyle. With a screenplay written by Alex Garland, the film stars Cillian Murphy, Naomie Harris, Brendan Gleeson, Noah Huntley, and Christopher Eccleston. The plot depicts the breakdown of society following the accidental release of a highly contagious virus and focuses upon the struggle of four survivors to cope with the ruination of the life they once knew.
A critical and commercial success, the film is widely recognized for images of a deserted London, and was shot almost entirely on digital video. The film spawned a 2007 sequel, 28 Weeks Later and the graphic novel 28 Days Later: The Aftermath.
Directed by Danny Boyle
Produced by Andrew Macdonald
Line Producer:
Robert How
Written by Alex Garland
Starring Cillian Murphy
Naomie Harris
Noah Huntley
Christopher Eccleston
Brendan Gleeson
Megan Burns
Music by John Murphy
Cinematography: Anthony Dod Mantle
Editing: by Chris Gill
Studio DNA Films
British Film Council
Distributed by Fox Searchlight Pictures
Release date(s) United Kingdom
1 November 2002
Running time 113 min.
Country United Kingdom
Language English
Budget £5,000,000
Gross revenue $82,719,885
Followed by 28 Weeks Later
Fox Searchlight Pictures.
The institution we are looking at to produce or film is something along the lines of a British film company who work on low budgets, but still produce top quality highly recognizable films. usually british films like this are distributed by american companies. for example, Fox searchlight pictures. This company is a sister company to 20th century fox. so is of high quality, and is known for creating great movies. fox searchlight pictures specialises in producing british, indie/horror films. for example 28 days later, and 28 weeks later. so this would be a perfect production company for us to use due to it specialising in what film we are producing. it has also distributed a high number of recognized films, such as, hills have eyes, the ringer, and slumdog millionaire. so i think that this company would be a wise choice.
Warner Bros
Another production company we could use could be, Warner Bros. but we are very unlikely to be able to get our film distributed by these, as the are of a high statutre, and we will definately not be able to afford the costs of this company due to its recognition. an example of a british film distributed by these is The Shining.
so ideally the best option would be to use fox searchlight picures, due to its availability and good quality.
By Louis Percival.
Tuesday, 26 January 2010
Preliminary task
The first problem we encountered was to keep quiet during recording as we found that the camcorder picked up background noise which affected some takes which lead to early cuts in our filming. Another problem we faced was the size of the area that we were allocated to film in and props were to a bare minimum. Another problem we faced was keeping the 180 degree rule as the size of the room was so small which affected our filming however due to these circumstances we felt we did well at keeping this rule. Another plus, is when we threw the bag from one person to another, we edited it quite well, to make it look continuous and smooth. We also found that we had a good range of shots with good stability thanks to the tripod which helped tremendously with keeping the camera still and holding the camera in place.
By doing this preliminary task we found a number of ways we could improve in our film making for example, we could make takes last longer to give us more editing time so have more time to edit. Also we found we could improve on our shots and have a variety of different shots, but one thing that stopped us doing this in our preliminary task was the size of the room we were giving to film in and also our surroundings we had to work within.
By Michael Keenan, Max Blanche, Joel Duxbury and Louis Percival
Monday, 25 January 2010
BBFC certificate ratings
Tuesday, 19 January 2010
Box office figures for Supernatural thriller movies
Hear is a list of the top 20 Supernatural Films of all time.
| Rank | Title (click to view) | Studio | Lifetime Gross /Theaters | Opening / Theaters | Date | ||
| 1 | What Lies Beneath | DW | $155,464,351 | 2,925 | $29,702,959 | 2,813 | 7/21/00 |
| 2 | The Blair Witch Project | Art. | $140,539,099 | 2,538 | $1,512,054 | 27 | 7/16/99 |
| 3 | The Ring | DW | $129,128,133 | 2,927 | $15,015,393 | 1,981 | 10/18/02 |
| 4 | The Grudge | Sony | $110,359,362 | 3,348 | $39,128,715 | 3,245 | 10/22/04 |
| 5 | Paranormal Activity | Par. | $107,911,135 | 2,712 | $77,873 | 12 | 9/25/09 |
| 6 | The Others | Mira. | $96,522,687 | 2,843 | $14,089,952 | 1,678 | 8/10/01 |
| 7 | The Haunting | DW | $91,411,151 | 2,881 | $33,435,140 | 2,808 | 7/23/99 |
| 8 | The Amityville Horror | AIP | $86,432,000 | 748 | $7,843,467 | 748 | 7/27/79 |
| 9 | Poltergeist | MGM | $76,606,280 | 1,060 | $6,896,612 | 890 | 6/4/82 |
| 10 | The Ring Two | DW | $76,231,249 | 3,341 | $35,065,237 | 3,332 | 3/18/05 |
| 11 | The Exorcism of Emily Rose | SGem | $75,072,454 | 3,045 | $30,054,300 | 2,981 | 9/9/05 |
| 12 | 1408 | MGM/W | $71,985,628 | 2,733 | $20,617,667 | 2,678 | 6/22/07 |
| 13 | The Amityville Horror (2005) | MGM | $65,233,369 | 3,323 | $23,507,007 | 3,323 | 4/15/05 |
| 14 | White Noise | Uni. | $56,386,759 | 2,279 | $24,113,565 | 2,261 | 1/7/05 |
| 15 | The Haunting in Connecticut | LGF | $55,389,516 | 2,732 | $23,004,765 | 2,732 | 3/27/09 |
| 16 | The Omen (2006) | Fox | $54,607,383 | 2,723 | $16,026,496 | 2,723 | 6/6/06 |
| 17 | Final Destination 3 | NL | $54,098,051 | 2,880 | $19,173,094 | 2,880 | 2/10/06 |
| 18 | Final Destination | NL | $53,331,147 | 2,587 | $10,015,822 | 2,587 | 3/17/00 |
| 19 | Stigmata | MGM | $50,046,268 | 2,901 | $18,309,666 | 2,899 | 9/10/99 |
| 20 | The Skeleton Key | Uni. | $47,907,715 | 2,784 | $16,057,945 | 2,771 | 8/12/05 |